Get all 265 HARDCORE TANO*C releases available on Bandcamp and save 10%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of You Rock!, ダラク・デ・ナイト, Toxic, J-Core Man, Ideology, Extraterrestrial, Maholova, Shooting☆Stars, and 257 more.
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kors k - Goemon
05:09
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REDALiCE - Tempesta
04:40
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Ryu☆ - Scrap Shortage
04:20
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P*Light - Butterfly
04:16
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DJ Noriken - Signal
05:10
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DJ SHIMAMURA - ALR1GHT
05:42
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USAO - LiMiT
05:13
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源屋 - Annihilation
05:07
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aran - Graces of Heaven
06:18
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HARDCORE TANO*C Tokyo, Japan
Japanese Record label.
Independent label run by REDALiCE.
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Kick's For Liberation 4
by USAO
supported by 16 fans who also own “HARDCORE SYNDROME 7”
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Shandy Bass 2
by Shandy Kubota
supported by 15 fans who also own “HARDCORE SYNDROME 7”
Although a step up from bass 1, there are times on this record that leave me somewhat frustrated. This really only concerns the drops, which i would describe as blatantly generic, but perhaps that's my limited experience with the genre. On the other hand, the build and general tone of each track is more enjoyable than bass 1.
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Omnifarious
by DJ Nanashi
supported by 15 fans who also own “HARDCORE SYNDROME 7”
Lovely trance record. It's fascinating how many styles of trance are represented on the record, yet I love every single track.
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Forest of Ruin
by Magic Point
These tracks may have been written in a cabin in Lake Tahoe (for real!) but they sound like they could score a rave at the end of the world.
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Place of Honor
by Computer Nerd
If the Phantom of the Opera wrote video game music, it might sound something like the sweeping, stately songs on “Place of Honor.”
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Alley Ghost
by Kush Arora
Euphoric club instrumentals from the duo of Brooklyn's HMXGOD and San Francisco's Kush Arora, blending dancehall, drill, kuduro, and more.
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Kick's For Liberation
by USAO
supported by 15 fans who also own “HARDCORE SYNDROME 7”
Never thought I'd see the day that I get to say that I enjoy a hard bass record. Regardless, this record aged surprisingly well. It still has aspects that scream pre-2010, but it actually comes across as more of a charm than a curse. I think it's the more notable growth of the songs as they play out, that I'm able to enjoy. Especially compared to Hard bass that i previously knew. Not hearing "SCOOTAH!" every minute is a blessing, frankly. Even with that though, the samples can be a bit obnoxious
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